I was sorting through some old pictures on my laptop this afternoon when I stumbled across these. I've mentioned my former life as a Fine Art major
before - here's a little proof. These photos were taken at my senior exhibit; I think there were around 15 pieces, all charcoal and
Conté crayon on distressed raw canvas:
The concept was that the mundane and the ugly - such as rocks, sticks and bones - can hold depth and even beauty when viewed up close. I don't have a photo of my favorite piece, which now hangs in my dad and stepmom's dining room - a massive, almost abstract drawing of a horse's skull. Sounds morbid, but it was really quite lovely.
I also came across a few sketches (not finished drawings, just quick captures of whatever caught my eye) that I scanned a couple years ago - none are terribly exciting, but eh, what the hell:
I've always enjoyed sketching in pen...I'm not sure why I prefer it over pencil. Something about the permanence of it, the way every line has to matter.
This is probably my favorite sketch of all time, although it's not the most impressive - the subject is my late Grandma, and this was the last time I saw her, as she passed away while I was out of the country:
I don't create much art these days. I don't think I was ever really cut out to be a studio artist...I always loved the art itself, but hated the politics of gallery showings and the fake depth that so many artists attach to their work (I do believe profound meaning can exist within art, but that in general it's grossly overinflated - a point of view that didn't exactly endear me to either my instructors or colleagues).
So there you have it - The Lisa Formerly Known As An Artist.